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  A Quiet Street
Rodgers Naylor
oil on canvas
2014
Size: 24 x 36 (art) 29½ x 41½ (frame)
Price: $3,250 (C5174RN)


  A Quiet Visit
Rodgers Naylor
2014 oil on panel, Framed
Art Size: 24 x 24; Frame Size: 31.5 x 31.5
Price: $2,150.00 (C5169RN)


  Almost Sunset
Rodgers Naylor
2014 oil on panel, Framed
Art Size: 12 x 12; Frame Size: 17.75 x 17.75
Price: $600.00 (C5150RN)


  Bon Appetit
Rodgers Naylor
2014 oil on panel, Framed
Art Size: 12 x 12; Frame Size: 17.5 x 17.5
Price: $600.00 (C5151RN)


  Canyon
Rodgers Naylor
oil on panel
2014
Size: 16 x 20 (art) 21½ x 25½ (frame)
Price: $1,300 (C5160RN)
Returned Feb 2017


  Coast Road #2
Rodgers Naylor
oil on panel
2014
Size: 30 x 24 (art) 37½ x 31½ (frame)
SOLD (C5170RN)


  Coast Road #3
Rodgers Naylor
2014 oil on panel, Unframed
Art Size: 18 x 14
Price: $900.00 (C5157RN)


  Fountainside Meeting
Rodgers Naylor
2014 oil on panel, unframed
Art Size: 11 x 14
Price: $575.00 (C5155RN)


  Happy Hour
Rodgers Naylor
2014 oil on panel, Framed
Art Size: 16 x 20; Frame Size: 21.5 x 25.5
SOLD (C5161RN)


  Kitchen Triptych
Rodgers Naylor
2014 oil on canvas
Art Size: 30 x 24
SOLD (C5171RN)


  Late Afternoon in the City
Rodgers Naylor
oil on canvas
2014
Size: 40 x 30 (art) 45½ x 35½ (frame)
Price: $4,500 (C5175RN)
Returned Feb 2017


  Leather Goods
Rodgers Naylor
oil on panel
2014
Size: 16 x 20 (art) 21½ x 25½ (frame)
SOLD (C5162RN)


  Lunch Hour
Rodgers Naylor
2014 oil on panel
Art Size: 14 x 18
SOLD (C5163RN)


  On a Narrow Shopping Street
Rodgers Naylor
2014 oil on panel, Framed
Art Size: 16 x 20; Frame Size: 22.5 x 26.5
Price: $1,200.00 (C5167RN)


  Over and Through
Rodgers Naylor
2014 oil on panel, Framed
Art Size: 16 x 20; Frame Size: 21.5 x 25.5
Price: $1,200.00 (C5164RN)


  Red Awning
Rodgers Naylor
oil on panel
2014
Size: 11 x 14 (art) 16½ x 19½ (frame)
Price: $700 (C5156RN)
Returned Feb 2017


  Seaside Stroll
Rodgers Naylor
2014 oil on canvas, Framed
Art Size: 20 x 20
Price: $1,500.00 (C5168RN)


  Shade
Rodgers Naylor
oil on canvas
2014
Size: 36 x 24 (art) 41½ x 29½ (frame)
Price: $3,250 (C5173RN)
Returned Feb 2017


  Sunny Cafe
Rodgers Naylor
2014 oil on panel
Art Size: 14 x 18
SOLD (C5158RN)


  The Art of Conversation
Rodgers Naylor
2014 oil on canvas
Art Size: 36 x 18
SOLD (C5172RN)


  The Cafe Life
Rodgers Naylor
2014 oil on panel, unframed
Art Size: 11 x 14
SOLD (C5154RN)


  The Sketch Artist
Rodgers Naylor
oil on panel
2014
Size: 16 x 20 (art) 21½ x 25½ (frame)
Price: $1,300 (C5159RN)
Returned Feb 2017


  The Theatre of the Street
Rodgers Naylor
2014 oil on panel, Framed
Art Size: 20 x 16; Frame Size: 21.5 x 25.5
Price: $1,200.00 (C5165RN)


  Trio Rodgers Naylor
Trio
Rodgers Naylor
2014 oil on panel
Art Size: 12 x 12
SOLD (C5149RN)


  Vineyard Morning
Rodgers Naylor
2013 oil on panel
Art Size: 14 x 11
SOLD (C5153RN)


  Virtuosi
Rodgers Naylor
2014 oil on panel
Art Size: 12 x 12
SOLD (C5152RN)


  What Might Be
Rodgers Naylor
2013 oil on panel, Framed
Art Size: 16 x 20; Framed Size: 21.5 x 25.5
SOLD (C5166RN)


Pas de Deux
Pas de Deux will be Judith Vivell and Jim Perry's first joint exhibition at Susan Calloway Fine Arts. Perry's sweeping geometric forms echo Judith's broad brush strokes and the arcs and curves of her compositions. The title, Pas de Deux – a synchronized dance between two people – acknowledges this dynamic relationship, as the the individual works provoke a dialogue and visual exchange throughout the show. Jim Perry received a BA in sculpture from Bard College, where he studied with sculptor Jake Grossberg and painters Murray Reich and Jim Sullivan. He began his sculpture career in the early 1970s in New York City where he exhibited extensively, and in 1975 was included in the Whitney Biennial. In addition to his work as an artist, Jim had a 28-year career as a graphics editor at The New York Times. He left The Times in 2008 to return to making sculpture full time. Judith Vivell was born in California, attended the University of California at Berkeley where she received her BA in Art History. In 1971 she received a Master’s degree in painting from Hunter College, where she studied with Ray Parker. For the first part of her career Vivell was an abstractionist, working with mixed media, but always tethered to the real world. Then, in 2000, she began working in a fully figurative style. This most recent body of work marks a return to that early abstractionist style, with a focus on monumentality through form.
 
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